Quick answer: Choose solid, deep colours over prints, coordinate the group rather than matching it, and pick outfits that fit properly at the shoulders and waist. Avoid logos, fine stripes and neon. Bring safety pins, a comb, and shoes you can walk in.
More shoots are let down by clothing than by light. This is the guidance we send clients before every session — maternity, family, pre-wedding or ceremony — written for what actually happens on camera rather than what looks good on a hanger.
Prints compete with the face. One patterned piece per group, maximum.
2
Deep jewel tones hold colour
Maroon, emerald, indigo, mustard. They survive both bright sun and evening light.
3
Coordinate the family palette
Two or three colours across everyone, not the same shirt on four people.
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Fit beats price
A well-fitted ₹1,500 kurta photographs better than an ill-fitted designer piece.
5
Skip fine stripes and small checks
They moiré on camera and cannot be fixed in editing.
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No logos, no slogans
They date the photograph and pull the eye.
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Layer for texture
A jacket, dupatta or shawl gives the frame depth that a flat T-shirt cannot.
8
Match the outfit to the location
Formal silk in a garden reads odd; casual denim in a palace reads odder.
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Test-sit in it
Half of a shoot is seated. Anything that rides up or creases badly will show.
10
Footwear you can walk in
Especially for outdoor locations. Bring the pretty pair for the standing frames only.
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Iron everything the night before
Creases are the single most common retouching request and the most avoidable.
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Two outfits, not five
Every change costs twenty minutes of the best light. Two is the right number for a half-day.
Shoot-day bag checklist
Steamed or ironed outfits on hangers
Safety pins and a small sewing kit
Comb, hair ties, hairspray
Blotting paper and a compact
Water and a snack
Comfortable footwear plus the photo pair
Jewellery in a small pouch, not worn in transit
A change bag for the second outfit
Colour on Indian skin tones in Bengaluru light
Warm earth tones and deep jewel colours flatter most South Asian skin tones in the warm, low light of golden hour. Pale pastels and white can wash out in bright sun and go grey at blue hour. If you love pastels, shoot them indoors in window light rather than at noon outdoors.
Dressing a group
Pick a three-colour palette and let each person choose within it. Everyone in identical white shirts reads as a stock photo; everyone in clashing prints reads as noise. One person can wear the boldest colour and become the visual anchor — usually the person the photographs are about.
Hair, makeup and the twenty-minute rule
Makeup for photography should be slightly stronger than daily wear but never matte-heavy — flat skin looks lifeless on camera. Plan for hair and makeup to finish twenty minutes before the shoot's start time, because it never does, and that buffer is the difference between catching golden hour and missing it.
Deep jewel tones — maroon, emerald, indigo — and warm earth tones. They hold their colour across bright and low light and flatter most skin tones. Avoid neon, fine stripes and very pale pastels outdoors at midday.
Should families wear matching outfits?
No — coordinate instead. Pick two or three colours and let each person wear something different within that palette. Identical outfits flatten the group and date the photograph.
How many outfits should I bring to a photoshoot?
Two for a half-day session, three at most for a full day. Each change costs about twenty minutes, usually of the best light.